OAK

심상표출에 의한 조형적 이미지 연구

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Alternative Title
A Study on the Plastic Image by Image Expression : Centering around My Work
Abstract
Art activity is made from the instinct of human beings, and it is the activity of human beings to be generated newly by 2 concepts to be memory and experience, and it is the images in the flow of time to be memorized and it is to show the inside of self by including the trace. To try to show image visually may be regarded as the course to discover the plastic language to be in ourself. So, art is the start from oneself, and what are immanent in artist herself(or himself) get to appear as independent expression, as they are expressed one by one.
What we can discover in the work of artists are creative images to be expressed actively. All the images appear by the interaction of outer power and inner power, and it can be said that they are expressed by psychological factor of sensitivity or mind etc. formed in accordance with individual experience.
Though we are existing, sensing and perceiving, out thinking doesn't transcend experience but guess all the things by experience, and the expression movement by the thinking may be perceived from outside and it is understood by the intellect of others. In the thesis, this researcher laid emphasis on trying to show my image as to how our consciousness to make us perceive, memorize and judge or expect a certain thing under the influence of environment which is surrounding oneself consciously or unconsciously is expressed and expressed with plastic artistic work by using the grid of distorted curve through introducing.
In the main discourse of chapter 1, this researcher unfolded which direction work will be expressed, mentioning how we, human being adapt ourselves and react in a certain environment as the background of work.
In the main discourse of chapter 2, this researcher discussed our emory to be carved by the experience to move endlessly by adapting oneself to time and environment and oblivion to be generated with change and continuity and explained how the image to be potential by such memory and oblivion is expressed as the theoretical background of work.
In the conclusion of chapter 3, this researcher concluded simply with general explanation about the contents which was made into form by theoretical background and clarified the will of study to be able to unfold profound work world as well as refined change in future work.
Author(s)
서광옥
Issued Date
2007
Awarded Date
2007-08
Type
Dissertation
URI
https://repository.sungshin.ac.kr/handle/2025.oak/4606
http://210.125.93.15/jsp/common/DcLoOrgPer.jsp?sItemId=000000004947
Alternative Author(s)
Suh, Kwang-Ok
Affiliation
성신여자대학교 조형대학원
Department
조형대학원 조각
Advisor
노재승
Table Of Contents
I. 서론 = 1
II. 본론 = 3
1. 작품형성의 이론적 배경 = 3
1) 기억과 망각 = 3
2) 심상의 현상화 = 6
2. 형태적 근거 = 8
1) 도입된 형태 = 8
2) 표현된 형태 = 11
3. 작품 분석 = 13
III. 결론 = 27
참고문헌 = 29
ABSTRACT = 30
Degree
Master
Publisher
성신여자대학교 조형대학원
Appears in Collections:
조형대학원 > 학위논문
공개 및 라이선스
  • 공개 구분공개
  • 엠바고2007-11-12
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