OAK

근육과 미용적 변이의 관련성 고찰

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Abstract
일상생활을 하는 동안 여러 원인으로 통증이라는 것을 한번쯤은 경험하게 된다. 이에 상황에 따라 약물 복용이나 병원 처방 또는 그냥 참고 견디는 등의 통증을 해소하기 위한 여러 방법들이 제시될 수 있다.
통증은 일차적으로 환자가 의사를 찾게 되는 첫 번째 이유라고 한다. 그만큼 몸을 보호하기 위한 자각증상으로 통증은 건강한 삶을 유지하기 위한 중요한 감각 개념 중의 하나가 된다. 이러한 통증은 심리적·정서적으로 일상생활에 많은 영향을 미치며 또한 외형적인 부분의 변형에도 직·간접적으로 많은 관련성을 내포하고 있다. 이 중 에스테틱 분야와 관련하여 근육에 관한 통증을 논의해보고 이것이 외형적으로 드러나는 미적요소와 어떠한 연관성을 갖게 되는지를 찾게 된다면 점점 전문성을 요구하고 있는 현대사회에서 피부미용인이 제자리를 지킬 수 있는 새로운 강구책이 될 것이다.
여러 신체기관 중 인간의 활동과 밀접한 근육이 손상을 받으면 정적인 체형의 변화와 동적인 관절 가동범위의 변형을 가져오게 된다. 또한 근육의 기능에 문제가 생기면 부분적인 체형변화와 더불어 협력근, 길항근 등의 근육간의 상호작용에 의한 전체적 체형변화까지 유도하게 된다.
우리 주변에도 병원에 갈 정도는 아니지만 여기저기 어떠한 통증에 의해 고생하는 사람들이 많다. 예를 들어 어깨결림, 뒷목의 뻣뻣함, 허리통증 등 보통은 간과되기 쉬운 이러한 근육과 관련한 통증들에 의해 쉽게 짜증을 내기도 하고 공부나 업무에 집중을 못하며 잠을 설치기도 하는 등의 불편함을 호소하게 된다. 이들에게 심리적·정서적인 도움과 더불어 실제 근육에 통증을 야기하는 부분을 해소시켜주고 그러한 통증에 의해 변형되는 신체상의 왜곡 또는 변이들을 막아줄 수 있다면 에스테틱 분야의 또다른 전문화를 기대해 볼 수 있을 것이다.
근육의 통증을 야기하는 근 손상의 기전과 손상위치는 완전히 밝혀지지는 않은 상태이나 통증의학이나 근육관련 분야에서 대체로 받아들여지고 있는 통증유발점 등의 이해를 기초로 신체상에 나타날 수 있는 미용적 변이들을 관련시켜봤으며 이를 에스테틱 분야에서 적용할 수 있기 위한 이론적 뒷받침과 더불어 이와 관련된 임상에 도움을 줄 수 있는 계기가 되기를 기대해본다.
통증유발점(TP : Trigger Point)은 1983년 Travell과 Simons에 의해 본격적으로 연구되기 시작한 분야라고 할 수 있으며 이 개념은 어떠한 사람이 통증을 느끼는 곳과 실제로 근육에 있어서 그러한 통증을 유발하는 곳은 일치하지 않는다는 점이 가장 큰 특징이라 할 수 있다. 예를 들어 팔 저림을 자주 느끼는 고객에게 팔쪽으로의 방사통을 유발하는 TP가 있는 사각근을 만져준다면 좀더 원천적이고 효과적인 관리방법 중 하나가 될 수 있다. 또한 이마부분과 눈 주위의 통증을 동반한 두통이 지속적이라면 그러한 방사통을 유발하는 TP가 있는 흉쇄유돌근을 만져주거나 마사지 해주는 것 또한 통증유발점에 의한 하나의 관리방법이 될 수 있다. 이처럼 통증을 실제로 느끼는 부분을 계속적으로 마사지하는 것도 중요하겠지만 그러한 통증을 유발하는 근원점인 통증유발점이 있는 근육들을 만져준다면 좀더 효율적이고 고급화된 관리로 이끌어낼 수 있을 것이다. 그러나 ‘미의 추구’라는 본연의 목적에서 벗어나 ‘치료’개념으로의 지나친 확대적용은 자제되어야 할 것이며 이에 어떠한 미용적 변이를 가지고 오는 고객들에게 거꾸로 신체의 어느 부분, 어느 근육 부분을 만져주고 관리해줘야 하는 지에 대한 방향제시 정도로 통증유발점을 이해하는 게 바람직할 것이다.
본 논문은 1983년 Travell과 Simons이 발표한 Myofascial Pain and Dysfunction을 기준으로 현재까지 몇 편의 논문과 관련서적 등을 중심으로 에스테틱 분야로의 적용을 위해 다시 재정리하였다. Ⅰ장 서론과 Ⅴ장 결론 및 제언에서는 근육과 미용적 변이를 관련시켜 논문을 쓰게 된 목적과 그에 따른 임상에서의 적용 가능성에 대한 여부, 앞으로의 연구방향 제시 등을 논의하였고 그에 대해 각각 Ⅱ장에서는 근육에 대한 이해를 도울 수 있는 해부학적 의의와 통증유발점에 대한 이론들을 Ⅲ장에서는 근육과 관련하여 생길 수 있는 미용적 변이들을 구분해서 정리하였으며 Ⅳ장에서는 그러한 근육과 관련해서 구체적으로 신체의 어느 부분에 미용적 변이들이 발생될 수 있는지를 연결시켜 정리해 보았다.
결론적으로 이러한 고찰을 통해 앞으로 통증의학분야에서 주로 다뤄져왔던 통증유발점에 대한 이론들을 피부미용인들의 좀더 폭넓은 지식과 전문성 향상 그리고 고객에 대한 피부관리의 질을 높이는 데 접목된다면 에스테틱 분야에서의 더 큰 발전을 기대해 볼 수 있을 것이다.
|In our daily life, we experience pain at least once for several causes and there are several ways to respond to it, taking general medicine, or prescription drug or just enduring it.

Pain is a primary reason for patients to see a doctor, As such, Pain as subjective symptom is one of the important senses to protect our body and keep our life healthy. Pain affects our daily life a lot psychologically and emotionally and it also has much to do with external deformation directly and indirectly. Addressing muscle pain in terms of aesthetics and figuring out how it relates to external aesthetical element will provide skin aestheticians with new solutions which will enable them to remain professional in modern society that requires more and more expertise. Among various body parts, when muscle that is closely related to human activity is hurt, it brings about static change of body shape and dynamic change of range of motion. In addition, when muscle has a functional problem, it leads to entire change of body shape caused by muscle interaction between synergist and antagonist along with partial change of body shape.

There are many people around us who suffer from pain around the body, although it's not bad enough to go and see a doctor. For example, People get easily irritated, complaining of inconvenience of being hindered in concentrating on study or work, tossing about on the bed because of stiff shoulder and neck, back pain which are connected with these easily overlooked muscles. If we can give psychological and emotional support to these people and help remove trigger point of muscle pain and also prevent physical deformation or distortion caused by such pain, we can expect specialization of another aesthetic category.

In this study, the attempt was made to connect physical, cosmetic deformation with cause for muscle damage and the position of damage based on trigger point of pain generally accepted in pain medicine and muscle-related area although they haven't been yet fully discovered, and hopefully, theoretical background for aesthetical application and clinical support will be provided thru this attempt.

This thesis reorganizes the connection of muscle with cosmetic deformation based mainly on Myofascial Pain and Dysfunction written by Travell and Simons in 1983, and some other theses and related publications in order to apply it to aesthetic area. In Chapter I. Introduction and Chapter V. Conclusion and Suggestion, the purpose of associating muscle with cosmetic deformation, the possibility of clinical application, direction for further study in the future were discussed. Chapter II deals with anatomic meaning and thesis on trigger point of muscle pain to help better understand muscle; Chapter III deals with categorization of cosmetic deformation related to muscle problem; Chapter IV is about specifically in which part of our body cosmetic deformation can occur.

In conclusion, thru this study, if theses on trigger point of muscle pain which has been handled mostly in pain medicine can be utilized to widen and enhance skin aestheticians's knowledge and expertise and to improve the quality of skin treatment for customers, a significant progress can be expected in aesthetic area.
Author(s)
고선미
Issued Date
2007
Awarded Date
2007-02
Type
Dissertation
URI
https://repository.sungshin.ac.kr/handle/2025.oak/2519
http://210.125.93.15/jsp/common/DcLoOrgPer.jsp?sItemId=000000002497
Affiliation
성신여자대학교 문화산업대학원
Department
문화산업대학원 피부비만관리학
Table Of Contents
Ⅰ. 서론 ············································································· 1

Ⅱ. 근육의 이해

1. 근육 ············································································ 4
2. 근육과 관련된 통증 ··························································10
3. 통증유발점의 이해 ·························································· 12

Ⅲ. 미용적 변이
1. 퇴화(퇴행) ··································································· 19
2. 불균형 ······································································ 21
3. 노화 ·········································································· 22
4. 비만 ·········································································· 23

Ⅳ. 근육과 미용적 변이와의 관련성 연구

1. 등(상체후면) ································································ 25
2. 상체전면 ····································································· 33
3. 하지 ·········································································· 38
4. 엉덩이(고관절) ······························································ 41
5. 얼굴 ·········································································· 42

Ⅴ. 결론 및 제언 ································································ 45

참고문헌 ·········································································· 47
ABSTRACT ···································································· 52
그 림 목 차


<그림 1> 근육의 종류 ······························································ 6
<그림 2> 골격근의 구조 ··························································· 7
<그림 3> 근형질세망과 T세관 ···················································· 8
<그림 4> 근섬유의 현미경적 구조 ·············································· 8
<그림 5> 근육의 단축 ······························································ 9
<그림 6> 정상근육과 손상근육의 수축률 ········································ 9 <그림 7> 굵은 필라멘트에서 미오신 분자의 방향 ···························13
<그림 8> 활주설 ···································································13
<그림 9> 수축시와 휴식기의 근섬유 ···········································14
<그림10> 승모근의 TP와 방사통 ···············································25
<그림11> 흉쇄유돌근의 TP와 방사통 ··········································26
<그림12> 사각근의 TP와 방사통 ···············································26
<그림13> 이복근의 TP와 방사통 ···············································27
<그림14> 광배근의 TP와 방사통 ···············································29
<그림15> 능형근의 TP와 방사통 ···············································29
<그림16> 척주기립근의 TP와 방사통 ··········································30
<그림17> 극상근의 TP와 방사통 ···············································30
<그림18> 극하근의 TP와 방사통 ···············································30
<그림19> 소원근의 TP와 방사통 ···············································31
<그림20> 대원근의 TP와 방사통 ···············································31
<그림21> 장요근의 TP와 방사통 ···············································32
<그림22> 요방형근의 TP와 방사통 ·············································33
<그림23> 삼각근의 TP와 방사통 ···············································34
<그림24> 상완근의 TP와 방사통 ···············································34
<그림25> 상완삼두근의 TP와 방사통 ··········································35
<그림26> 대흉근의 TP와 방사통 ···············································36
<그림27> 소흉근의 TP와 방사통 ···············································36
<그림28> 전거근의 TP와 방사통 ···············································37
<그림29> 복직근의 TP와 방사통 ···············································37
<그림30> 외복사근, 내복사근의 TP와 방사통 ································38
<그림31> 대퇴사두근의 TP와 방사통 ··········································39
<그림32> 대퇴근막장근의 TP와 방사통 ·······································39
<그림33> 비복근의 TP와 방사통 ···············································40
<그림34> 가자미근의 TP와 방사통 ·············································40
<그림35> 대둔근의 TP와 방사통 ···············································41
<그림36> 중둔근의 TP와 방사통 ···············································41
<그림37> 소둔근의 TP와 방사통 ···············································42
<그림38> 교근의 TP와 방사통 ··················································43
<그림39> 측두근의 TP와 방사통 ···············································44
<그림40> 내익상근과 외익상근의 TP와 방사통 ······························44
<그림41> 안륜근의 TP와 방사통 ···············································44
Degree
Master
Publisher
성신여자대학교 문화산업대학원
Appears in Collections:
문화산업예술대학원 > 학위논문
공개 및 라이선스
  • 공개 구분공개
  • 엠바고2007-04-25
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