고등학교 음악 교과서의 대중음악 변천 연구
- Abstract
- 이 연구의 목적은 1차 교육과정부터 2007 개정 교육과정까지 고등학교 음악 교과서의 대중음악 변천을 조사하고 연구하여, 효과적인 음악교육의 방향을 모색하는데 있다.
이 연구에 대한 예비조사로 두 학교의 음악교사를 인터뷰하였다. 또한 학생들이 선호하는 대중음악의 종류와 대중음악에 대한 학생들의 인식 등을 알아보기 위하여, 서울의 고등학교 1학년 258명에게 설문조사를 실시하였다.
예비조사를 마친 후, 1차 교육과정부터 현재 고등학교에서 실시되고 있는 2007 개정 교육과정까지 고등학교 음악 교과서 3종씩 선정하여, 총 21종의 교과서를 대중음악의 수록 비율, 장르별, 곡목별 횟수, 교육과정 출판사별 상세분류 등 다양한 각도에서 분석하였다. 연구의 결과는 다음과 같다.
첫째, 1차~2차 교육과정 교과서에는 대중음악이 전무하였고, 3차 16곡(7.41%), 4차 27곡(12%), 5차 16곡(8.08%), 6차 32곡(14.68%), 7차 32곡(16.75%), 2007 개정 50곡(24.39%)의 대중음악이 수록되며 교육과정이 개정됨에 따라 점차 많은 대중음악이 음악 교과서에 수록되어 있음을 알 수 있었다.
둘째, 장르별로 분석한 결과, 팝송이 39곡(22.5%)으로 가장 많았고, 한국 대중가요 31곡(17.9%), 뮤지컬 25곡(14.5%), 영화음악 24곡(13.9%), 흑인영가 20곡(11.6%), 샹송 18곡(10.4%), 칸초네 9곡(5.2%), 재즈 7곡(4%) 순으로 수록되어 있었다.
교육과정이 개정됨에 따라 한국 대중가요, 팝송, 뮤지컬은 점차 많이 수록되는 반면, 흑인영가는 점차 적게 수록되는 것을 알 수 있었다. 또한 재즈의 수록 비율이 매우 낮아, 재즈가 더욱 많이 수록되어 학생들이 더 다양한 재즈를 경험하도록 해야 할 것 이다.
셋째, 곡목별 횟수를 분석한 결과, 가장 많이 수록된 곡은 샹송 중 ‘사랑의 찬가’로 8회 수록되어 있었다. 다음으로 ‘Memory’, ‘Edelweiss’, ‘Summertime’은 7회씩 수록되어 있었다.
이 연구 결과를 토대로 교사들이 청소년 문화를 이해하고, 학교 음악 수업에 대중음악을 선별하여 가르칠 수 있도록 많은 관심과 노력이 필요하다. 또한 교사를 위한 대중음악 교육프로그램이 연구, 개발 되어 건전하고 수준 높은 대중음악 수업을 만들기 위한 노력이 필요하다고 여겨진다.
- Author(s)
- 염혜정
- Issued Date
- 2013
- Awarded Date
- 2013-08
- Type
- Dissertation
- URI
- https://repository.sungshin.ac.kr/handle/2025.oak/2218
http://dcollection.sungshin.ac.kr/jsp/common/DcLoOrgPer.jsp?sItemId=000000008085
- Affiliation
- 성신여자대학교 교육대학원
- Department
- 교육대학원 음악교육
- Advisor
- 현경실
- Table Of Contents
- 논문개요
Ⅰ. 서론 ·············································································· 1
1. 연구의 필요성 ······························································· 1
2. 연구의 목적 및 문제 ······················································ 4
3. 연구의 제한점 ······························································· 6
Ⅱ. 이론적 배경 ···································································· 7
1. 교과서의 개관 ······························································· 7
가. 교과서의 의미와 역사 ··············································· 7
나. 교과서의 기능과 조건 ··············································· 8
다. 고등학교 음악 교과서 목록 ····································· 10
2. 대중음악의 정의 및 종류 ················································ 13
가. 대중음악의 정의 ····················································· 13
나. 대중음악의 종류 ····················································· 15
3. 선행연구 고찰 ····························································· 22
Ⅲ. 연구방법 및 절차 ·························································· 27
1. 연구대상 ···································································· 27
2. 연구도구 ···································································· 30
3. 연구방법 및 절차 ························································ 32
Ⅳ. 결과 ············································································ 33
1. 예비조사 ···································································· 33
가. 교사 인터뷰 ··························································· 33
나. 학생 설문지 분석 ··················································· 40
2. 고등학교 음악 교과서 대중음악 분석 ·······························48
가. 교육과정별 총 제재곡과 대중음악의 수록 비율 ··········· 48
나. 대중음악의 장르별 분류 ·········································· 50
다. 대중음악의 곡목별 횟수 ········································· 52
라. 박자, 음역대, 나타냄말 분류 ···································· 58
마. 교육과정 출판사별 상세분류 ···································· 60
Ⅴ. 결론 ············································································ 62
참고문헌 ············································································ 64
ABSTRACT ······································································· 69
부록 1. 교사 인터뷰지 ························································· 73
부록 2. 학생 설문지 ···························································· 74
부록 3. 박자, 음역대, 나타냄말 분류······································· 77
부록 4. 교육과정 출판사별 상세분류······································· 93
- Degree
- Master
- Publisher
- 성신여자대학교 교육대학원
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