Mark Rothko의 작품에 나타난 색채심리 연구

Abstract

The dissertation which it sees color is the research regarding the color which appears in the work of the Mark Rothko(1903-1970) which it thinks with the pursuit regarding the unconsciousness which is after the sentimental system of the human being. The color from conversation the feces was done as a favor the sentiment of the human being actually and, the soul and the flesh of the artists in color inside and color with an art it committed it sublimated. Abstract expressionism and color it leads and if it hints ultimate meaning of the human being conversational form color, developmental agony of abstraction it led and it showed territory of U conversation it comes true a pure characteristic, an individual characteristic and an autonomous characteristic as it opened a time vision and the conversational world which is abundant with moulding characteristic. Namely, the color simply to pass over the reappearance against outside and to put out and to expression and to be possible the enemy there to be variation to do, will apply a subjective sentiment with medium of expression. Is like this the color as color form is substituting the moulding element of the line or form even from the work of the Rothko and it expresses a sentiment as the moulding element which is most for appropriate there to be to his work, is important role. The research result regarding color psychological it appears in the work of like this Rothko, the possibility of haning down the next some branch conclusion it was. First, 1950's after color becomes the essence of his work, him color as conversational element accomplishes the artificial flower simply and the previous report which it selects with the means for meaning which the color form which wears out is specific it put prerequisite one symbol frost meaning the possibility of knowing the thing it was. If color of the second, Rothko the abstraction the effect of the automatisme of the unconsciousness which refuses all reappear form and disregards the fixed idea against a conversation completely and at principle will be received a thing the possibility of knowing it was. Third, melancholia, above the aorta sends the rough time with back multi branch disease and the possibility of trying to classify the color which in 60's final period appears from the work of the Rothko with two branches a lot it was. Distant I scull Rang, red and orange color back chroma am high and it is a hue which dawns. Melancholia it was sick and spirit the patients who get depressed chroma liked a low-end official approval color mainly in the bottle or there was not interest regarding a color almost to report to be obvious, like this people dawned with preparation of strong color character, as the color where the chroma is high strengthens oneself discovered is having a tendency. The Rothko will be cut and him it puts out and the place in lonely is these hues with fight with oneself it will fill up or will not be the expression of homeostasis (maintains organism undergarment balance tendency). The possibility of trying to guess it was. Official approval color, huyn the color and gray back chroma are hue of low-end nothing coloring system in afterwords. The Eric according to the P.Moss the person and the spirit which are lonely the person who gets depressed leads and their confidences and a possibility of knowing the fact that it puts the official approval color which is complete it distinguishes it said that U there is. There was to relationship with color and melancholia and spirit the melancholia patients who get depressed appeared with the result where the interest regarding a color almost nil by a multi research all is same. It continues in the work of later years of the Rothko and appears and the official approval color which sees by his suffering and a despair with the life which all things abandons it dies the possibility of reading it was. Fourth, with warm color it prepares a as cold as ice color and the place where it prepares the color of opposition it was. Frequently appears the color scheme which is prepared the craving which pursues the relationship which the Rothko is intimate calls forth a sentimental explosion too much strongly in the work or to receive the stress and the possibility of seeing in easy condition it is and as the form which the conversational means where the color is intense is reduced the Rothko which wishes an absolute convenience manifests the impressed color to concentrate in color expression in the screen the territory of the hazard unconsciousness which a conscious change and to include to pursue.