20세기 플루트 연주기법에 관한 연구
- Abstract
- 논문 개요
플루트의 음악은 뵘의 개선된 플루트로 말미암아 20세기 이전에는 사용되지 않았던 새로운 기법의 연주가 실제로 가능하게 되었다. 그러나 이러한 플루트의 현대적 기법은 생소하고 특이한 소리와 난해한 연주방법으로 인하여 많은 연주자들에게 어렵고 어색한 것으로 밖에 인식되었다.
이러한 적극적이지 못한 인식에서부터 벗어나고자 효과적인 연주 기법에 대해 살펴 보고 고찰해 보고자 하였다.
플루트는 독특한 음색, 반음계주의, 다조성, 고도의 테크닉 등 모든 역할을 다해내며 새로운 기법들의 개발로 독주 악기로서의 면모를 충실히 표현하다.
첫째, 20세기 연주 기법을 알아보기 전에 플루트의 역사를 살펴 보았다.
둘째, 20세기 음악사적 배경과 연주기법의 변화에 대해 설명 하였다.
셋째, 일반적인 연주 기법을 소개로 한 후, 20세기 기법의 정의와 연주방법을 실제로 적용된 윤이상의 악보를 제시하고 설명하였다.
이러한 플루트 기법에 대한 개념이나 원리 및 기보법과 연주법 등 연주에 필요한 정보를 정리하고 그에 따른 연주 방법들을 제시함으로써, 본 연구를 통해서 알수 있었던 것은 아직까지 새로운 플루트 기법에 대한 기보체계는 완전히 통일을 이루지 못했으며 작곡자마다 다양한 기보 방법을 가지고 있다는 것이다. 어떤 기법은 폭 넓게 사용되는가 하면, 어떤 기법은 아직 소수의 작곡가들에 의해 제한적으로 사용되고 있는 것을 알 수 있었다.
이처럼 본 논문은 새로운 연주 기법을 통해 20세기 플루트 음악에 대한 올바른 연주하는데 있어 도움이 되길 기대한다.
- Author(s)
- 임슬기
- Issued Date
- 2012
- Awarded Date
- 2012-02
- Type
- Dissertation
- URI
- https://repository.sungshin.ac.kr/handle/2025.oak/1219
http://dcollection.sungshin.ac.kr/jsp/common/DcLoOrgPer.jsp?sItemId=000000006980
- Affiliation
- 성신여자대학교 일반대학원
- Department
- 일반대학원 기악과
- Advisor
- 박혜란
- Table Of Contents
- 논문개요
Ⅰ. 서론 ·····································································01
1. 연구의 목적 및 의의····················································01
2. 연구의 방법 및 법위····················································02
Ⅱ. 본론······································································03
1. 플루트의 역사···························································03
2. 음악사적 배경···························································12
3. 20세기 플루트···························································15
4. 연주기법의 변화·························································16
5. 20세기 이전의 연주기법 ··············································18
1) 텅깅(Tonguing) ····················································18
2) 비브라토(Vibrato) ··················································22
6. 20세기에 나타난 현대적 연주기법······································25
1) 플라터 텅깅(Flutter Tonguing) ····································25
2) 키 클릭(Key Click) ·················································28
3) 하모닉스(Harmonics) ···············································30
4) 휘슬 톤(Whistle Tone) ·············································35
5) 1/4음(Quarter Tone) ···············································37
6) 바람 음(Wind Tone) ···············································41
7) 목소리와 음(Singing With Flute) ··································44
8) 다중 소리(Multiple Sound)··········································47
9) 피치 벤딩(Pitch Bending)···········································49
10) 뉴 트릴(New Trill) ···············································51
7. 그 밖의 연주기법 ·····················································54
1) 글리산도 ···························································54
2) 스핏 톤 ···························································57
3) 트럼펫 기법 ······················································57
4) 뮤티드 플루트 ·····················································58
8. 현대적 기법의 기보법 ··············································59
Ⅲ. 결론 ····································································62
참고문헌
ABSTRACT
표·그림 목차
<표 1> 그림으로 나타낸 비브라토의 종류 및 표기법 ······················· 23
<표 2> 알파벳으로 나타낸 비브라토의 종류 및 표기법 ···················· 24
<표 3> 박자에 관한 기보법 ·············································· 59
<표 4> 음정에 관한 기보법 ···················································· 60
<표 5> 기교에 관한 기보법 ···················································· 61
<그림 1> 가로 플루트 ····················································· 04
<그림 2> 비르둥(독일어에 의한 음악개관 Musica getutscht and
aussgezogen) ·················································· 05
<그림 3> 아그리콜라(독일의 기악 Musica instrumentalis deutsch,
1524) ··························································· 06
<그림 4> 15세기 초엽의 리코더 ·········································· 06
<그림 5> 오트테르, 트랜스버스 플루트의 원리, 1707 ····················· 07
<그림 6> 키 메카니즘 ····················································· 08
<그림 7> 뵘 식 B♭엄지 레버틀 ·········································· 09
<그림 8> 뵘 식 B♭엄지 레버틀 ··············································· 10
<그림 9> 테오발트 뵘의 플루트 ················································ 11
악보 목차
<악보 1> 싱글 텅깅의 예(김일섭-Sonata for Flute and Piano-1998,
99-100마디)································ 19
<악보 2> 더블 텅깅의 예(F. Poulenc -Sonata 1악장) ······················ 19
<악보 3> 더블 텅깅의 예(김일섭-Sonata for Flute and Piano-1998,63-65
마디) ·······································20
<악보 4> 트리플 텅깅의 예(J.Ibert- Concerto 3악장) ······················· 21
<악보 5> H. Dutilleux-Sonatine ·············································· 21
<악보 6> 비브라토의 예(홍순욱- Flute Solo를 위한 ‘죽 향’) ·············· 24
<악보 7> 윤이상 ‘Etude for solo Flute’ No.2, 47-54마디 ··················· 26
<악보 8> 윤이상 ‘Etude for solo Flute’ No.4, 1-8마디 ······················ 26
<악보 9> 윤이상 ‘Etude for solo Flute’ No.1, 78-79마디 ··················· 29
<악보 10> 도플러(Albert Franz Doppler, 1821-1883)
············· 31
<악보 11> 윤이상 ‘Etude for solo Flute’ No.5, 112-116마디 ················ 32
<악보 12> 원음에서 하모닉스로 얻을 수 있는 소리 ······················· 33
<악보 13> 윤이상 ‘Etude for solo Flute’ No.2, 1-7마디 ···················· 36
<악보 14> 윤이상 ‘Etude for solo Flute’ No.2, 43-46마디 ·················· 38
<악보 15> 윤이상 ‘Etude for solo Flute’ No.5, 36-39마디 ··················· 39
<악보 16> 윤이상 ‘Etude for solo Flute’ No.5, 91-94마디 ··················· 39
<악보 17> 운지를 이용한 1/4음 음계 ········································· 41
<악보 18> 윤이상 ‘Etuden for solo Flute ’, 49-52마디 ····················· 43
<악보 19> 윤이상 ‘Etude for solo Flute’ No.4, 72-77마디 ··················· 43
<악보 20> 윤이상 ‘Etude for solo Flute’ No.2, 43-46마디 ·················· 45
<악보 21> 윤이상 ‘Etude for solo Flute’ No.2, 74-87마디 ··················· 47
<악보 22> 윤이상 ‘Etuden for solo Flute’ 중음의 운지법 ·················· 48
<악보 23> 윤이상 ‘Etude for solo Flute’ No.2, 43-46마디 ················· 50
<악보 24> 윤이상 ‘Etude for solo Flute’ No.3, 38-39마디 ·················· 50
<악보 25> 윤이상 ‘Etude for solo Flute’ No.4, 9-13마디 ···················· 50
<악보 26> 윤이상 ‘Etude for solo Flute’ No.5, 36-39마디 ·················· 50
<악보 27> 윤이상 ‘Etude for solo Flute’ No.5, 91-94마디 ················· 51
<악보 28> 윤이상 ‘Etude for solo Flute’ No.4, 71-74마디 ················ 52
<악보 29> 윤이상 ‘Etude for solo Flute’ No.3, 1-3마디 ···················· 53
<악보 30> 윤이상 ‘Etude for solo Flute’ No.2, 1-24마디 ···················· 54
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- Master
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- 성신여자대학교 일반대학원
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