OAK

브람스의 <피아노와 바이올린을 위한 소나타 제2번 A장조 Op.100>분석연구

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Alternative Title
A Research and Analysis on by Johannes Brahms
Abstract
This paper is a research and analysis on by Johannes Brahms (1833-1897), a Neoclassical composer of the 19th century, who expressed musical characteristics of Romanticism within the Classical structure.
The French Revolution in late 18th century influenced social changes of 19th century, creating mass society and mass production due to machines, allowing the improvement and development of instruments. In addition, songs of various genres were written enabling the general public the opportunity to access music. Within these social changes, 19th century Romantic music divided and developed into program music and absolute music while absolute music was expressed as Neo-Classic.
Though Brahms pursued the Classicism in terms of the structural parts, he clearly showed characteristics from the Romanticsm by using the motive, hemiola, cross rhythm, arpeggio, folk melody and enharmonic modulation in his music.
Brahms’ written in 1886, is consisted of three movements and is regarded as the most melodious work of his violin sonatas. Furthermore, motives quoted from Brahms’ own songs or other composer’s works can be seen as a musical trait
The first movement shows the development of the motive, quotation of the song, enharmonic modulation, and chromatic third relations and etc. The second movement is a three part format with slow and fast parts contrasting with each other and the tone relation presented in the first movement also appears in the second movement. The third movement is a rondo form in which the repeated part A is not played in the original tonality in A’ but played in a subdominant key with quotations of songs, 2:3 complex rhythms, arpeggio and etc. Like this, is the piece which Brahms’s compositional techniques such as the development of motive and song quotations are cleary presented in both the violin and piano.
The music used in the thesis is .
Author(s)
박영경
Issued Date
2015
Awarded Date
2015-08
Type
Dissertation
URI
https://repository.sungshin.ac.kr/handle/2025.oak/3811
http://dcollection.sungshin.ac.kr/jsp/common/DcLoOrgPer.jsp?sItemId=000000010373
Alternative Author(s)
Park, Yeong kyeong
Affiliation
성신여자대학교 일반대학원
Department
일반대학원 반주학과
Advisor
이진혜
Table Of Contents
논문개요
Ⅰ.서론 1
Ⅱ.19세기의 시대적 배경 3
Ⅲ.브람스의 생애와 작품세계 7
1.생애 7
2.작품세계 11
1)제1기 11
2)제2기 11
3)제3기 12
4)제4기 14
Ⅳ.브람스의 음악적 특징 16
1.선율 16
2.동기 18
3.형식 24
4.리듬 28
5.화성 32
Ⅴ.피아노와 바이올린을 위한 소나타 제2번 A장조 Op.100 작품분석 35
1.작품배경 35
2.작품분석 36
1) 제 1악장 36
2) 제 2악장 60
3) 제 3악장 76
Ⅵ.결론 93
참고문헌
ABSTRACT
Degree
Master
Publisher
성신여자대학교 일반대학원
Appears in Collections:
반주학과 > 학위논문
공개 및 라이선스
  • 공개 구분공개
  • 엠바고2015-08-20
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