《발트슈타인》에 등장하는 새로운 담론: 음악, 악기, 그리고 베토벤의 삶

Abstract

The Purpose of this study is to analyze Beethoven’s Piano Sonata Op. 53, ‘Waldstein’ using aspect of various compositional elements and his instrument. Beethoven did experiment many of elements such as modulating to third, modulating in the theme, borrowing from the other genre’s elements such as a Cadenza was also used in this sonata. As the result of this study, first of all the Erard piano may have a direct relationship of Beethoven’s ‘Waldstein’ sonata. A wide length of register derived from his concentrated compositonal skill of development section not instrumental part. secondly, his ‘Waldstein’ sonata has been shown permanency in his masterpieces.