OAK

바이올린 발달에 따른 연주법 변화 연구

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Abstract
Ever Since Violin has introduced from Italy in the early 16th century, it was developed by Andrea Amati(1511∼1577) and Salo(1542∼1609). Modern violin takes the variety of the roles. Especially, the role of violin in music has been important due to its beautiful sound abundant tone, and the variety of sound expressions. Violin is now used in all different music genres such as solo, chamber and orchestra.

This article investigates that the changes of violin playing technique from early days to modern and provides performance Guide for Johann Sebastian Bach for Unaccompanied Solo Violin Sonata No. 2 in A minor, Fuga. Solo Violin Sonata No. 2 in A minor has a mutual relationship in each movement and different aspects with classical sonatas. The Second movement is very difficult movement to analyze, yet can be divided into 3 classical parts. Fuga consists of 3 exposition, Episode and Stretto.

The descriptions of basic bowing gestures such as bow changes are of great interest for various fields of violin-related studies. Also, The development process of bow contributed the variety of expression and emerged special playing technique such as Col legno tratto, Col legno battuto.
The development and changes of violin and bow are closely related to the development and changes of techniques. These facts present violinists to understand and appreciate certain violin pieces, not only violin techniques but also musical style and its interpretation.
Author(s)
윤한나
Issued Date
2012
Awarded Date
2012-02
Type
Dissertation
URI
https://repository.sungshin.ac.kr/handle/2025.oak/3498
http://dcollection.sungshin.ac.kr/jsp/common/DcLoOrgPer.jsp?sItemId=000000006973
Affiliation
성신여자대학교 일반대학원
Department
일반대학원 기악과
Advisor
박초연
Table Of Contents
목 차

논문 개요
Ⅰ. 서 론 ....................................................................................................... 1
1. 연구의 필요성과 목적 ........................................................................... 1
2. 연구의 방법과 내용 .............................................................................. 2

Ⅱ. 본 론 ....................................................................................................... 4
1. 바이올린 악기와 활의 구조 .................................................................. 4
(1) 바이올린 몸통의 구조 ..................................................................... 4
(2) 활의 구조 ........................................................................................ 6
2. 바이올린 악기와 활의 발달과정 ............................................................ 7
(1) 악기의 발달과정............................................................................... 7
(2) 활의 발달과정 ................................................................................. 9
3. 활의 연주기법 및 기보방법 ................................................................. 16
(1) 바로크시대 운궁법 ........................................................................ 16
(2) 바로크시대 활 잡는 방식 .............................................................. 18
(3) 현대의 운궁법 ............................................................................... 19
(4) 현대의 활 잡는 방식 ..................................................................... 22
(5) 활사용의 기보방법 ........................................................................ 24
4. J. S. Bach 무반주 바이올린 소나타의 역사적 배경과 연주가이드 ..... 25
(1) 소나타집의 시대적 배경 .............................................................. 25
(2) 소나타집의 구조적 특징 .............................................................. 26
(3) 무반주 소나타 2번 A minor 2악장 Fuga 분석과 연주가이드 ... 27
1) 기교적인 해결 제안 .................................................................. 39
Ⅲ. 결 론 .................................................................................................. 46

참고문헌
ABSTRACT(영문초록)
Degree
Master
Publisher
성신여자대학교 일반대학원
Appears in Collections:
음악학과 > 학위논문
공개 및 라이선스
  • 공개 구분공개
  • 엠바고2012-02-27
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