바다속을 모티브로 한 陶製 間接照明燈 硏究

Abstract

조명은 어둠을 밝혀 물체를 인식하는 기능적인 역할과 함께 투사방법에 따라 공간을 호화롭고 발랄하며 차분하게 연출할 수 있다. 점차 실내장식의 비중이 높아지면서 조명의 설치방법과 광원에 따라 다양한 형태로 발전하게 되었다. 간접조명등은 빛을 벽이나 천장에 투사시켜 주위를 밝히며, 눈부심이 없고 조도가 균등하여 아늑한 분위기를 연출할 수 있는 장점을 가진 도제 조명등을 제시하고자 한다. 조명디자인의 모티브가 된 바다속 생명체 중 우리가 친근하게 접할 수 있는 대상을 이미지화하여 기능위주의 용도적 한계에서 벗어나 장식적인 측면을 고려하고 실내에서도 바다를 상상할 수 있도록 하였다. 또한, 조명의 조도, 광원, 투광방법 그리고 설치방법을 참고하여 부착형 Bracket, 입식형 Table stand를 제작하여 실용적인 면과 함께 온화함, 쾌적함을 연출할 수 있도록 하였다. 조명기구의 소재는 강도와 투광성이 우수한 자기질 점토를 주재료를 사용하고 외형석고를 제작하여 이장주입기법으로 섬세한 작업과 대량생산이 가능하게 하였으며, 푸른색 계열의 안료와 유약을 사용하여 바다의 느낌을 전달하고자 하였다. 부재료로는 코르크, 아크릴, 금속 등의 타 재료로 마감하여 심미성, 안정성, 이동의 편리함을 고려함으로서 생활의 질적 향상과 산업적 가치를 부여하고자 하였다.|Light is the origin of all the life bodies and the environment element to have direct influence on human being life. If it had not been for light, green grassland on field, animal and plant could not exist, and the development of mankind civilization might be difficult. As the way of life of human beings changed from movement life to settlement life, the importance of light was embossed all the more. Light was used as the means to lighten darkness and protect oneself from enemies. As period have changed gradually, human being have made much efforts up to present artificial light source through the development into the diverse forms of torch, lamp oil container, and candlestand. As the result, some activity range widened, and it enriched life. As for modern illumination, the role is being expanded gradually, so that cozy interior space atmosphere may be represented, the quality of life may be heightened, and even the function of aesthetic space art may be satisfied as the aesthetic decoration element of interior by breaking from the accessory to lighten interior space. In gear with this period change, this researcher tried to seek the possibility as the new tool for decoration illumination which is suitable for the taste and individuality of individual by presenting china lighting to have the function and decorative effect of illumination. In this study, this researcher expressed my empirical image by reconstituting the fluid form of diverse life bodies subjectively through making the life body in joint of motive. This researcher manufactured by considering the decorative side to be suitable for the new function and request of lighting through fitting to interior space atmosphere during the daytime that natural lighting is made. As for manufacture method, this researcher enabled mass production by using plaster frame and used transmitted light clay that slip infusion is easy, chromophore is good, and there is the floodlight nature of light about the base soil used for test work. This researcher decorated partially with marbling technique to use color slip. And, as for calcination, this researcher executed oxidatin calcination at 1250℃ by glazing with transparent glaze, copper glaze, and transparency after primary calcination at 850℃. and executed calcination at 800℃ by applying liquid gold. This researcher considered functionality, aesthetic nature and stability and tried to give the new emotion and role of moderns by attaching other materials such as cork, acryl, and metal etc. as finish materials.